Director: Rakesh Omprakash Mehra
Release Date: 18 February 2009
Stroryline: The film opens with the ailing grandmother Annapurna at the office of a cardiac surgeon in New York. The surgeon indicates that Annapurna suffers from heart blockage and may not have long to live. Annapurna insists on returning to Delhi, her hometown, where she intends to retire in peace. Though her son and daughter-in-law object vehemently, her American-born grandson Roshan (who has a special bond with his grandmother) agrees to bring her back.
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Casting: Irrfan Khan, Shahrukh Khan, Lara Dutta, Om Puri, Rajpal Yadav, G. Asrani, Kareena Kapoor, Deepika Padukone
Director: Priyadarshan
Release Date: 13 February 2009 (UK)
Stroryline: A remake of the hugely successful Malayalam film Kadha Parayumbol, Billu (formerly “Billu Barber”) is the story of a small town man, Billu (Irrfan Khan) who mentions to his family that he was once a friend of superstar; Sahir Khan (Shahrukh Khan). Sahir Khan happens to come to the village to shoot a film and Billu’s children spread the rumor that their father is his childhood friend. The villagers, on hearing their Billu could be their ticket to meeting the star, shower him with gifts and promises on condition Billu make contact for them. Billu is embarrassed by his poverty and doesn’t want to impose, but everyone works themselves up so he’s forced to make several ill-fated attempts at contacting the star while he’s shooting just outside the village. But it’s the school principal who, after threatening to expel Billu’s children for non-payment of fees, has a turnaround when she believes Billu is able to get the star to appear at a school function and speak to the children. She goes to Sahir herself and requests his presence at the function for the children. Were Billu and Sahir childhood friends? Will Sahir meet with the villagers?
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Chal Chala Chal (2009)
Murli Sharma – Union Leader Mr. Singh
Reema Sen – Payal
Rajpal Yadav – Sundar
Om Puri
Asrani – Lawyer
Manoj Joshi – U.U. Upadhyay
Upasna Singh – Chhaya
Amita Nangia – Aprana
Razzak Khan – Basantilal
Asif Basra – Harilal
Director: Rajiv Kumar
Release Date: February 6, 2009
Stroryline: Deepak, a young man has been switching jobs as he does not want to succumb to the corrupt system that exists everywhere. His father, Omkarnathji, the ex-principal of a private school, has for several years now, fighting a court case against the school to get his dues. He finally wins the case and the school is ordered to give him some property as compensation, if there is no money in its funds. And thus a bus is given as reparation. However, instead of selling it off, and acting on his father’s advice, Deepak decides to put the bus into good use and start a transport business with it. However, it’s a roller-coaster ride where mishaps are more than the commuters. Corruption chases Deepak here too but what saves him, is his faith in his principles and his father’s love – acting as the strong backbone in bitter-sweet times.
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Rang De Basanti (2006)
Aamir Khan … Daljeet ‘DJ’ / Chandrashekhar Azad
Siddharth … Karan R. Singhania / Bhagat Singh
Sharman Joshi … Sukhi / Rajguru
Kunal Kapoor … Aslam / Ashfaqullah Khan
Atul Kulkarni … Laxman Pandey / Ramprasad Bismil
Alice Patten … Sue
Soha Ali Khan … Sonia / Durga Vohra (as Soha Ali Khan Pataudi)
Steven Mackintosh … Mr. McKinley
Madhavan … Flight Lt. Ajay Rathod (as R. Madhavan)
Waheeda Rehman … Mrs. Rathod
Anupam Kher … Rajnath Singhania
Kiron Kher … Mitro / DJ’s Mother
Om Puri … Amanullah Khan / Aslam’s Father
Lekh Tandon … DJ’s Grandfather
Cyrus Sahukar … Rahul
Director: Rakesh Omprakash Mehra
Release Date: 26 January 2006 (UK)
Stroryline: Rang de Basanti’ is a film about awakening. About standing up for ones beliefs. Where the spirit of rebellion transcends time and age. A young idealistic English filmmaker, Sue, arrives in India to make a film on Indian revolutionaries Bhagat Singh, Chandrashekhar Azad and their contemporaries and their fight for freedom from the British Raj. Owing to a lack of funds, she recruits students from Delhi University to act in her docu-drama. She finds DJ, who passed out five years back but still wants to be a part of the University because he doesn’t think there’s too much out there in the real world to look forward to. Karan, the son of Industrialist Rajnath Singhania, who shares an uncomfortable relationship with his father, but continues to live off him, albeit very grudgingly. Aslam, is a middle class Muslim boy, who lives in the by-lanes near Jama Masjid, poet, philosopher and guide to his friends. Sukhi, the group’s baby, innocent, vulnerable and with a weakness for only one thing – girls. Laxman Pandey, the fundamentalist in the group, the only one who still believes that politics can make the world a better place and finally Sonia – the sole girl in the group, tomboy and vivacious spirit, engaged to Ajay – the dashing air pilot. These youngsters could be anyone of us today and their lives mirror the kind of lives the youth of today lead – namely a self centered and materialistic existence where ideas like patriotism and making a change are strictly the stuff history books are made of. Through her film, Sue wishes to showcase to the world the efforts of these young revolutionaries and the enormity of their contribution to the freedom movement in India. What unfolds is the inspiration behind Sue’s passion for bringing their story to the world. The twist in the tale is of course the fact that more than just telling the world, Sue’s film makes DJ and his friends stop and stare at themselves for being the actual descendants of these great men and never recognizing and celebrating their courage and spirit. The film thus doubles as a narrative on the changes in perspective and values the young boys and girls acting in her documentary go through as they shoot for the film. Few scenes from the past and present are juxtaposed against each other, which renders a unique slick treatment, which serves to showcase the slow change in mindset and attitude that overcomes the group through the process of the film. ‘Rang de Basanti’ is a youthful drama, yet light hearted in the moments that the group shares amongst themselves… before some incidents effect a serious change…which ends in the climax.
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Director: N. Chandra
Release Date: 5th July, 1991
Stroryline: Narasimha a young and captive man lives a middle class life with his family in a quite neighbor hood. He gets his beautiful sister marry to an eligible young man in there vicinity. On the occasion of his sister giving birth, he returns home to find that a conflict arise between his neighbor hood and another neighbor hood where he seek refuge in a dwelling area nearby only to return and find out that his whole family has been murder. Without no aim left in life Narasimha decided to turn to crime and alcohol. He later decided to work for a man call Suraj Narayan Singh. But when Suraj asks him to kill Ravi Rastogi for falling in love with his daughter, Meenu. Narasimha refuses, and on the contrary joins forces with Ravi, his sister, Anita, to force Suraj to get the young couple married. This kind of conflict escalates to such proportions that Suraj finally gets arrested and lodged in a cell. Everything seems clear for Ravi and Meenu to get married, but Meenu wants proof that her dad is a criminal, and she gives Ravi 24 hours to find proof or she will marry the boy of her dad’s choice. And ruin everything and every plans between them.
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Director: Shashilal K. Nair
Release Date: 11th September, 1992
Stroryline: This movie portrays the problems of Mumbai lower class due to the nexus of criminal gangs and the fight against them by an angry young man Jackie Shroff. Though movie is typical for a one man fight against corruption similar to the Amitabh Bachhan movies and strongly resembles Arjun by Sunny Deol; still movie receives credit for strong performances by Kader Khan, Nana Patekar and the silent yet powerful acting of Jackie Shroff. The real-estate builders want to wipe off the slums in Mumbai and make five star hotels for fast profit. Jackie Shroff is struggling for a job and also pressurized by his family problems. While Nana Patekar’s gang is trying to isolate the slum, they get a head-on with Jackie and face repulsion. Nana’s brother Mazhar Khan goes to beat Jackie but gets killed by him during a fight. Nana kills Jackie’s father which ignited a fury to extinguish his evil empire. Though Kader Khan is actually the Don and father of Nana, he only uses his powers to give justice to the poor and not oppress them. He detests Nana’s activities but is unable to stop him. He tries to persuade Jackie to forget the whole episode, but Jackie rejects and goes on his spree to destroy Nana. He places bombs in the illegal building constructions by Nana and eventually kills him. Dimple is ornamental as she was in Arjun, but looks graceful. Jackie was stunning and the movie also has a few good songs.
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Director: Shivam Nair
Release Date: December 5, 2008
Stroryline: Subhash (PARESH RAVAL) has spent the last 10 years unsuccessfully trying to get acting parts in films. He makes ends meet by his uncanny ability to think on his feet committing small time cons on unsuspecting victims.
One night he saves a man’s life, to do so he puts his own at risk. He accompanies the injured man back home. Subhash is awe struck at the grandeur and affluence of Mr. Adenwalla. (NASSERUDIN SHAH) Subhash realizes this may lead to a generous tip.
Soon enough Subhash is hired by the grateful Adenwalla as his driver. The wife Mallika Adenwalla (NEHA DHUPIA) resents Subhash for his proximity to her husband and senses this man taking advantage of her husband.
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